Compositions

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Choral | Chamber/Ensemble | Electronic

Choral

2023. 34th Street Station (SATB).

2023. The Ogre (SATB) in collaboration with poet Zsuzsanna Ardó.

2023. Named (SA, or solo + backing choir) in collaboration with poet Zsuzsanna Ardó.

2021. While Sitting Here, Remember Me (SSA) for the 2021 Western Wind Workshop.

2021. Grateful (SATB) written for C4’s Live Remote concert series.

2020. Neighbors at Seven (SATB w/divisi) written for C4’s Live Remote concert series.

2020, revised 2023. The Words (high, middle, and low voices) written for C4.

2019. Never Again (SATB/w divisi).

2017-2018. Vanishing (SATB/w divisi) written for C4.

2017. I Remain (TBB) written for the Brooklyn Youth Men’s Choir.

2016. Seawall (SATB/w divisi) written for C4.

2016. Tomaraji na kumo (The Ceaseless Clouds) (SATB/w divisi) written for C4.

2013. Hamesh Dream (SATB w/divisi) for the San Francisco Choral Artist’s New Voices Competition.

2011. Anthem for the Golden Gate (SATB w/divisi) for the International Orange Chorale of San Francisco composition competition. Lyrics by Wendy Lee Klenetsky.

2011. My Plans For You Are Peace (SATB w/divisi) for the Seton Hall Chapel Choir.

2010. I Call Upon You (SATB w/divisi) for the Seton Hall Chapel Choir.

2009. An Ever-Fixed Mark (SSAATTBB) written for C4.

2009. Sunrise (SSAA).

2009. The Celestial Fire (SATB).

2009. The Temple Bells (SATTBB) written for C4.

2008. Kono Yoru (This Night) choir (SSAA).

2007. Shine (SSAATTBB). In Japanese and English. Quarterfinalist, Sorel Organization’s Women Composers competition.

2007. Live Love (SATB). 2nd place winner, San Francisco Chorale’s New Voices Competition. In English and Pali.

2006. Sleep, Child, Sleep (SSAA). In Japanese and English.

2004. In Death’s Field (SSAATTBB). In English, translation from a 9th century Middle Eastern poem.


Chamber/Ensemble

2022. initial for solo cello. Written for the Impulse New Music Festival.

2021. Hibernation for piano solo. Written for Nick Photinos’ 1:2:1 Intensive.

2020. Unlearning for soprano and synth. Written for Rhymes With Opera’s Pocket Opera Workshop.

2020. Where Will We Go? for soprano, alto, and piano.

2019. Material for percussion ensemble. Written for the Cisum Percussion Workshop.

2019. Third Generation for soprano, clarinet, and cello. Semifinalist, Juventas New Music Ensemble call for scores.

2018. To Be Heard for flute and soprano. Written for the BreathMark Retreat.

2018. Distance for baritone and piano.

2017. Thoughts Creep In for marimba and violin. Written for the Creative Musicians Retreat.

2014. Summer for soprano, mezzo, baritone, piano and flute. Written for Rhymes With Opera’s summer workshop.

2009. Departure, 10:49pm for bassoon.

2007. Hakol BeSeder, B’Eli HaSeder for voice, violin, cello, and piano. In Hebrew. Finalist, Karen Sokolof Javitch Composition Competition.

2005. Cape Spear for string choir (two violin, two viola, two cello, two bass).

2003. Dorian March for piano.

2003. A Dream of Snow for piccolo, vibraphone, marimbas, violin, cello, handbells, and handdrum.


Electronic

2010. Drum track for emerge.Orange, part of Project Emerge.

2010. We Grow for electronically modified Middle Eastern instruments, synth, and guitar.

2009. Space Music written for the 60/60 competition. Premier by New Music Hartford 8/30.

2009. Voice Through Static written for the New Jersey Electronic Music Artists group.

2007. Commuter’s Dream for electronics and voice (organ, ambient sounds, vocal samples).

2007. Breathe for electronics (Chinese flutes, erhu, drums, ambient sounds, organ).

2006. Coming Home for Christmas for electronics (organ/synthesizer and preconstructed loops).

2006. But Hope for two guitars.

2005. Out of Darkness for synthesizer (variety of pads, bells, and keys).

2004. Theme for “Project Enigma”, a video game mod.

2004. Background themes for a Metroid-inspired video game mod, for electronics (synth voice, drums, marimba, bells, among others).